Produced by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it results in a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish theaters from 17 November.
